This is a very good pattern that is easy to fit. The directions suggest shortening the pointed hem of the bodice for a more flattering fit, as shown in this photo, and I recommend it. I had a slight problem forming the tail on the back of the bodice, but was happy with the result. As stated in other reviews, the pattern calls for the bodice and skirt to have three layers (lining, fabric and overlay) but don’t let that deter you; you can easily skip that and use only the two layers.
In the gown pictured, I adapted the bodice and skirt to fit the design of a famous Worth ensemble, using hooks and eyes up the center front. I do not care for the sleeve of this pattern, if you can call it that; it is merely a piece of lace caught at the shoulder. I drafted my own with a little more structure.
Rated 5 out of 5
Kendra Van Cleave –
I made this up in a hurry, so skipped most of the time-consuming and difficult parts: you’re supposed to cover each pattern piece with a lace piece cut in the same shape, and you’re also supposed to make lots of rows of ruffles to cover the bottom part of the skirt. Skipping these steps, this was a relatively straightforward pattern. I love the fit of the bodice – the tails in back are great! I left off their lace sleeves and added the large puffed sleeves from Hunnisett’s Period Patterns for Stage & Screen 1800-1909.
Lisa Dyrke –
This is a very good pattern that is easy to fit. The directions suggest shortening the pointed hem of the bodice for a more flattering fit, as shown in this photo, and I recommend it. I had a slight problem forming the tail on the back of the bodice, but was happy with the result. As stated in other reviews, the pattern calls for the bodice and skirt to have three layers (lining, fabric and overlay) but don’t let that deter you; you can easily skip that and use only the two layers.
In the gown pictured, I adapted the bodice and skirt to fit the design of a famous Worth ensemble, using hooks and eyes up the center front. I do not care for the sleeve of this pattern, if you can call it that; it is merely a piece of lace caught at the shoulder. I drafted my own with a little more structure.
Kendra Van Cleave –
I made this up in a hurry, so skipped most of the time-consuming and difficult parts: you’re supposed to cover each pattern piece with a lace piece cut in the same shape, and you’re also supposed to make lots of rows of ruffles to cover the bottom part of the skirt. Skipping these steps, this was a relatively straightforward pattern. I love the fit of the bodice – the tails in back are great! I left off their lace sleeves and added the large puffed sleeves from Hunnisett’s Period Patterns for Stage & Screen 1800-1909.